DeCoteau got a little bit of money to make two dozen films of just hot guys walking around that California mansion in their underwear calling out, "Hello? Anybody home?" ![]() So DeCoteau benefitted from producers who just wanted to fake moviemaking, almost like the actual version of Mel Brooks' spoof THE PRODUCERS. Merrill Lynch has even accused Paul Jarchow and Alan Colichman,of embezzling the loan money and parking it in secret shell companies offshore. The problem is, they didn't control quality of ANY of their product or distribute it in standard ways the industry distributes, so they lost a lot of money. But his producers at the time started HereTV, bought The Advocate and OUT Magazines and got a massive loan from Merrill Lynch to start a gay media empire. Not just in the way DeCoteau always has ripped off concepts of better movies for low-budget copycats. ![]() I can explain why he was able to churn out so many in the aughts: REGENT MEDIA WERE RIPOFF ARTISTS. He may have made a bunch of videos for the gay gaze in the aughts, but there were no gay stories, characters or sex. But David DeCoateau's movies are almost never about gay subjects, r69.
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